All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Dancer at the dressing room oil on canvas


Dancer at the dressing room
Dancer at the dressing room
Painting ID::  49934
  mk206 1878-1879 Oil on canvas 60x40cm
  mk206 1878-1879 Oil on canvas 60x40cm

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Edgar Degas Dance practising oil on canvas


Dance practising
Dance practising
Painting ID::  49935
  mk206 about 1879 Oil on canvas 63.4x48.2cm
  mk206 about 1879 Oil on canvas 63.4x48.2cm

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Edgar Degas ballerina in the green dress oil on canvas


ballerina in the green dress
ballerina in the green dress
Painting ID::  49936
  mk206 1880-1885 Oil on canvas 46.9x33cm
  mk206 1880-1885 Oil on canvas 46.9x33cm

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Edgar Degas Dancer have a break oil on canvas


Dancer have a break
Dancer have a break
Painting ID::  49937
  mk206 1881-1885 Oil on canvas 50x60cm
  mk206 1881-1885 Oil on canvas 50x60cm

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Edgar Degas Star oil on canvas


Star
Star
Painting ID::  49938
  mk206 1879-1881 Oil on canvas 73.3x57.4cm
  mk206 1879-1881 Oil on canvas 73.3x57.4cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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