All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas In the front of mirror oil on canvas


In the front of mirror
In the front of mirror
Painting ID::  49964
  mk206 1885-1886 Oil on canvas 49x64cm
  mk206 1885-1886 Oil on canvas 49x64cm

Height    Width


  INS/CM       Quality

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Edgar Degas Bathroom oil on canvas


Bathroom
Bathroom
Painting ID::  49965
  mk206 1884-1886 Oil on tempera 30.5x30.5cm
  mk206 1884-1886 Oil on tempera 30.5x30.5cm

Height    Width


  INS/CM       Quality

X

  

Edgar Degas bathing lady oil on canvas


bathing lady
bathing lady
Painting ID::  49966
  mk206 1885 Oil on tempera 66x52.7cm
  mk206 1885 Oil on tempera 66x52.7cm

Height    Width


  INS/CM       Quality

X

  

Edgar Degas After bath oil on canvas


After bath
After bath
Painting ID::  49967
  mk206 1885-1890 Oil on canvas 70.8x57.2cm
  mk206 1885-1890 Oil on canvas 70.8x57.2cm

Height    Width


  INS/CM       Quality

X

  

Edgar Degas After bath oil on canvas


After bath
After bath
Painting ID::  49968
  mk206 1886-1888 Oil on canvas 48x87cm
  mk206 1886-1888 Oil on canvas 48x87cm

Height    Width


  INS/CM       Quality

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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