All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas After bath oil on canvas


After bath
After bath
Painting ID::  49984
  mk206 1895-1900 Oil on canvas 76.2x82.8cm
  mk206 1895-1900 Oil on canvas 76.2x82.8cm

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Edgar Degas take a bath in the morning oil on canvas


take a bath in the morning
take a bath in the morning
Painting ID::  49985
  mk206 about 1895 Oil on canvas 66.8x45cm
  mk206 about 1895 Oil on canvas 66.8x45cm

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Edgar Degas The breakfast after bath oil on canvas


The breakfast after bath
The breakfast after bath
Painting ID::  49986
  mk206 1895 Oil on paper 121x92cm
  mk206 1895 Oil on paper 121x92cm

Height    Width


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Edgar Degas Lady toweling off her body after bath oil on canvas


Lady toweling off her body after bath
Lady toweling off her body after bath
Painting ID::  49987
  mk206 1896 Oil on canvas 89x116cm
  mk206 1896 Oil on canvas 89x116cm

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Edgar Degas ballerina wear green dress oil on canvas


ballerina wear green dress
ballerina wear green dress
Painting ID::  49988
  mk206 1897-1901 oil on canvas 73.5x61cm
  mk206 1897-1901 oil on canvas 73.5x61cm

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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