All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Woman at her toilette oil on canvas


Woman at her toilette
Woman at her toilette
Painting ID::  50020
  mk206 about 1894 Charcoal and pastel on paper 95.5x110cm
  mk206 about 1894 Charcoal and pastel on paper 95.5x110cm

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Edgar Degas Head of a Woman oil on canvas


Head of a Woman
Head of a Woman
Painting ID::  50021
  mk206 about 1874 Oil on canvas 32.1x26.7cm
  mk206 about 1874 Oil on canvas 32.1x26.7cm

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Edgar Degas Portrait of Edmond Duranty oil on canvas


Portrait of Edmond Duranty
Portrait of Edmond Duranty
Painting ID::  50022
  mk206 1879 Tempera ,watercolour and pastel on linen 100x100cm
  mk206 1879 Tempera ,watercolour and pastel on linen 100x100cm

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Edgar Degas Dancers oil on canvas


Dancers
Dancers
Painting ID::  50023
  mk206 about 1879 Gouache,oil pastel and essence on silk 30.5x59.7cm
  mk206 about 1879 Gouache,oil pastel and essence on silk 30.5x59.7cm

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Edgar Degas Promenade beside the sea oil on canvas


Promenade beside the sea
Promenade beside the sea
Painting ID::  50024
  mk206 about 1860 Londeon,National Gallery
  mk206 about 1860 Londeon,National Gallery

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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