All Edouard Manet Oil Paintings

French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.
 

       Prev  74  75  76  77  78  79  80  81  82  83   Next
  Prev Artist       Next Artist     

   
    

Edouard Manet Philibert Rouviere as Hamlet The Tragic Actor oil on canvas


Philibert Rouviere as Hamlet The Tragic Actor
Philibert Rouviere as Hamlet The Tragic Actor
Painting ID::  85665
  Date 1865-66 Medium Oil on canvas Dimensions 187.2 x 108.1 cm (73.7 x 42.6 in) cjr
  Date 1865-66 Medium Oil on canvas Dimensions 187.2 x 108.1 cm (73.7 x 42.6 in) cjr

Height    Width


  INS/CM       Quality

X

  

Edouard Manet Portrait of a Man oil on canvas


Portrait of a Man
Portrait of a Man
Painting ID::  85678
  1860(1860) Medium Oil on canvas Dimensions 62 x 50 cm (24.4 x 19.7 in) cyf
  1860(1860) Medium Oil on canvas Dimensions 62 x 50 cm (24.4 x 19.7 in) cyf

Height    Width


  INS/CM       Quality

X

  

Edouard Manet Fisching oil on canvas


Fisching
Fisching
Painting ID::  85784
  1861-63 Medium Oil on canvas Dimensions 76.8 x 123.2 cm (30.2 x 48.5 in) cyf
  1861-63 Medium Oil on canvas Dimensions 76.8 x 123.2 cm (30.2 x 48.5 in) cyf

Height    Width


  INS/CM       Quality

X

  

Edouard Manet Portrait dAlice Lecouve dans un Fautheuil oil on canvas


Portrait dAlice Lecouve dans un Fautheuil
Portrait dAlice Lecouve dans un Fautheuil
Painting ID::  85879
  1875 Medium English: Oil on canvas Dimensions English: 26 x 28 cm cyf
  1875 Medium English: Oil on canvas Dimensions English: 26 x 28 cm cyf

Height    Width


  INS/CM       Quality

X

  

Edouard Manet Le bal de l'Opera oil on canvas


Le bal de l'Opera
Le bal de l'Opera
Painting ID::  85881
  English: 1873 Medium Oil on canvas Dimensions 47 x 38 cm cyf
  English: 1873 Medium Oil on canvas Dimensions 47 x 38 cm cyf

Height    Width


  INS/CM       Quality

X

  

       Prev  74  75  76  77  78  79  80  81  82  83   Next
Prev Artist       Next Artist     

     Edouard Manet
     French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings