All FRANCIA, Francesco Oil Paintings

Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia
 
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FRANCIA, Francesco The Marriage of St Cecily sds oil on canvas


The Marriage of St Cecily sds
The Marriage of St Cecily sds
Painting ID::  6702 		  1504-06 Fresco S. Giacomo Maggiore, Bologna
  1504-06 Fresco S. Giacomo Maggiore, Bologna

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FRANCIA, Francesco The Burial of St Cecily dfs oil on canvas


The Burial of St Cecily dfs
The Burial of St Cecily dfs
Painting ID::  6703 		  1504-06 Fresco S. Giacomo Maggiore, Bologna
  1504-06 Fresco S. Giacomo Maggiore, Bologna

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FRANCIA, Francesco Crucifixion with Sts John and Jerome de oil on canvas


Crucifixion with Sts John and Jerome de
Crucifixion with Sts John and Jerome de
Painting ID::  6704 		  c. 1485 Oil on wood, 52 x 33,5 cm Collezioni Comunali d'Arte, Bologna
  c. 1485 Oil on wood, 52 x 33,5 cm Collezioni Comunali d'Arte, Bologna

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FRANCIA, Francesco Crucifixion xdfgs oil on canvas


Crucifixion xdfgs
Crucifixion xdfgs
Painting ID::  6705 		  1500s Panel S. Giacomo Maggiore, Bologna
  1500s Panel S. Giacomo Maggiore, Bologna

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FRANCIA, Francesco Adoration of the Child sdgh oil on canvas


Adoration of the Child sdgh
Adoration of the Child sdgh
Painting ID::  6706 		  Panel Pinacoteca Nazionale, Bologna
  Panel Pinacoteca Nazionale, Bologna

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     FRANCIA, Francesco
     Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia

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