All Fra Angelico Oil Paintings

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
 

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Fra Angelico Scenes from the Life of St Stephen oil on canvas


Scenes from the Life of St Stephen
Scenes from the Life of St Stephen
Painting ID::  52250
  1447-49 Fresco Cappella Niccolina
  1447-49 Fresco Cappella Niccolina

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Fra Angelico St Sixtus Ordains St Lawrence oil on canvas


St Sixtus Ordains St Lawrence
St Sixtus Ordains St Lawrence
Painting ID::  52326
  1447-49 Fresco, 271 x 197 cm
  1447-49 Fresco, 271 x 197 cm

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Fra Angelico The Attempted artyrdom of ss cosmas and damian oil on canvas


The Attempted artyrdom of ss cosmas and damian
The Attempted artyrdom of ss cosmas and damian
Painting ID::  52777
  mk223 Oil on canvas
  mk223 Oil on canvas

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Fra Angelico St Cosmas och S: t Damianus halshugges oil on canvas


St Cosmas och S: t Damianus halshugges
St Cosmas och S: t Damianus halshugges
Painting ID::  53688
  mk234 ca 1438-40 37x46cm
  mk234 ca 1438-40 37x46cm

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Fra Angelico Jungfru Maria med barnet oil on canvas


Jungfru Maria med barnet
Jungfru Maria med barnet
Painting ID::  53689
  mk234 ca 1440-45 215x244cm
  mk234 ca 1440-45 215x244cm

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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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