All Francesco Albani Oil Paintings

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
 

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Francesco Albani Diana and Actaeon oil on canvas


Diana and Actaeon
Diana and Actaeon
Painting ID::  80586
  1617(1617) Medium Oil on copper cyf
  1617(1617) Medium Oil on copper cyf

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X

  

Francesco Albani The Holy Family oil on canvas


The Holy Family
The Holy Family
Painting ID::  82266
  The Holy Familyx, oil on canvas Date 1630 - 35 cjr
  The Holy Familyx, oil on canvas Date 1630 - 35 cjr

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Francesco Albani Apollo and Daphne oil on canvas


Apollo and Daphne
Apollo and Daphne
Painting ID::  82414
  ca. 1615-1620 (1600-1625) Medium Oil on copper of panel Dimensions 17.5 x 35.5 cm (6.9 x 14 in) cyf
  ca. 1615-1620 (1600-1625) Medium Oil on copper of panel Dimensions 17.5 x 35.5 cm (6.9 x 14 in) cyf

Height    Width


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Francesco Albani Hermaphroditus and Salmacis oil on canvas


Hermaphroditus and Salmacis
Hermaphroditus and Salmacis
Painting ID::  82452
  Oil on copper of panel Dimensions 14 x 31 cm (5.5 x 12.2 in) cyf
  Oil on copper of panel Dimensions 14 x 31 cm (5.5 x 12.2 in) cyf

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Francesco Albani The Baptism of Christ oil on canvas


The Baptism of Christ
The Baptism of Christ
Painting ID::  82983
  xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg Date 1630 - 35 cjr
  xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg Date 1630 - 35 cjr

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     Francesco Albani
     (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

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