All Francesco Hayez Oil Paintings

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
 

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Francesco Hayez Portrat des Massimo Azeglio oil on canvas


Portrat des Massimo Azeglio
Portrat des Massimo Azeglio
Painting ID::  98162
  1860(1860) Medium oil on canvas Dimensions Deutsch: 118 x 92 cm cyf
  1860(1860) Medium oil on canvas Dimensions Deutsch: 118 x 92 cm cyf

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Francesco Hayez Bathseba im Bade oil on canvas


Bathseba im Bade
Bathseba im Bade
Painting ID::  98319
  1834(1834) Medium oil on canvas Dimensions Deutsch: 77 x 107 cm
  1834(1834) Medium oil on canvas Dimensions Deutsch: 77 x 107 cm

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Francesco Hayez The destruction of the Temple of Jerusalem. oil on canvas


The destruction of the Temple of Jerusalem.
The destruction of the Temple of Jerusalem.
Painting ID::  98320
  1867(1867) Medium oil on canvas Dimensions Deutsch: 183 x 252 cm
  1867(1867) Medium oil on canvas Dimensions Deutsch: 183 x 252 cm

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Francesco Hayez Der siebente Kreuzzug gegen Jerusalem oil on canvas


Der siebente Kreuzzug gegen Jerusalem
Der siebente Kreuzzug gegen Jerusalem
Painting ID::  98321
  1838-1850 Medium oil on canvas Dimensions Deutsch: 363 x 589 cm
  1838-1850 Medium oil on canvas Dimensions Deutsch: 363 x 589 cm

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Francesco Hayez Sizilianische Vesper oil on canvas


Sizilianische Vesper
Sizilianische Vesper
Painting ID::  98322
  1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm
  1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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