All Francesco Hayez Oil Paintings

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
 

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Francesco Hayez Die Befreiung Vittor Pisani's aus dem Kerker oil on canvas


Die Befreiung Vittor Pisani's aus dem Kerker
Die Befreiung Vittor Pisani's aus dem Kerker
Painting ID::  98323
  1840(1840) Medium oil on canvas Dimensions Deutsch: 100 x 178 cm cjr
  1840(1840) Medium oil on canvas Dimensions Deutsch: 100 x 178 cm cjr

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Francesco Hayez Die neue Favoritin oil on canvas


Die neue Favoritin
Die neue Favoritin
Painting ID::  98324
  1866(1866) Medium oil on canvas Dimensions Deutsch: 70 x 92 cm
  1866(1866) Medium oil on canvas Dimensions Deutsch: 70 x 92 cm

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Francesco Hayez Weiblicher Akt oil on canvas


Weiblicher Akt
Weiblicher Akt
Painting ID::  98325
  oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)
  oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)

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Francesco Hayez Bubende Maria Magdalena oil on canvas


Bubende Maria Magdalena
Bubende Maria Magdalena
Painting ID::  98326
  1825 Medium oil on canvas Dimensions 118 x 150 cm (46.5 x 59.1 in)
  1825 Medium oil on canvas Dimensions 118 x 150 cm (46.5 x 59.1 in)

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Francesco Hayez Liegende Odaliske oil on canvas


Liegende Odaliske
Liegende Odaliske
Painting ID::  98327
  1839(1839) Medium oil on canvas Dimensions Deutsch: 120 x 137 cm
  1839(1839) Medium oil on canvas Dimensions Deutsch: 120 x 137 cm

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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