All Francesco Hayez Oil Paintings

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
 

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Francesco Hayez Odaliske oil on canvas


Odaliske
Odaliske
Painting ID::  98328
  1867(1867) Medium oil on canvas Dimensions Deutsch: 82 x 68 cm
  1867(1867) Medium oil on canvas Dimensions Deutsch: 82 x 68 cm

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Francesco Hayez La Ciociara oil on canvas


La Ciociara
La Ciociara
Painting ID::  98329
 
 

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Francesco Hayez Portrat der Antonietta Negroni Prati Morosini oil on canvas


Portrat der Antonietta Negroni Prati Morosini
Portrat der Antonietta Negroni Prati Morosini
Painting ID::  98330
  1872(1872) Medium oil on canvas Dimensions 115 x 93.5 cm (45.3 x 36.8 in)
  1872(1872) Medium oil on canvas Dimensions 115 x 93.5 cm (45.3 x 36.8 in)

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Francesco Hayez Portrat der Matilde Juva-Branca oil on canvas


Portrat der Matilde Juva-Branca
Portrat der Matilde Juva-Branca
Painting ID::  98331
  1851(1851) Medium oil on canvas Dimensions Deutsch: 120 x 94 cm
  1851(1851) Medium oil on canvas Dimensions Deutsch: 120 x 94 cm

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Francesco Hayez Portrat der Antonietta Tarsis Basilico. oil on canvas


Portrat der Antonietta Tarsis Basilico.
Portrat der Antonietta Tarsis Basilico.
Painting ID::  98332
  1851(1851) Medium oil on canvas Dimensions Deutsch: 130 x 100 cm
  1851(1851) Medium oil on canvas Dimensions Deutsch: 130 x 100 cm

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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