All Francisco de Goya Oil Paintings

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
 

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Francisco de Goya Portrait of Ferdinand VII of Spain in his robes of state oil on canvas


Portrait of Ferdinand VII of Spain in his robes of state
Portrait of Ferdinand VII of Spain in his robes of state
Painting ID::  75859
  1814(1814) Oil on canvas 212 ?? 146 cm (83.5 ?? 57.5 in) cjr
  1814(1814) Oil on canvas 212 ?? 146 cm (83.5 ?? 57.5 in) cjr

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Francisco de Goya Portrait of Jose Monino, 1st Count of Floridablanca oil on canvas


Portrait of Jose Monino, 1st Count of Floridablanca
Portrait of Jose Monino, 1st Count of Floridablanca
Painting ID::  75880
  1782-1783 Oil cjr
  1782-1783 Oil cjr

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Francisco de Goya Portrait of Gaspar Melchor de Jovellanos oil on canvas


Portrait of Gaspar Melchor de Jovellanos
Portrait of Gaspar Melchor de Jovellanos
Painting ID::  75931
  ca. 1798(1798) Oil on canvas 205 ?? 123 cm (80.71 ?? 48.43 in) cjr
  ca. 1798(1798) Oil on canvas 205 ?? 123 cm (80.71 ?? 48.43 in) cjr

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Francisco de Goya Portrait of the Maria Teresa de Borbon y Vallabriga, oil on canvas


Portrait of the Maria Teresa de Borbon y Vallabriga,
Portrait of the Maria Teresa de Borbon y Vallabriga,
Painting ID::  75998
  Portrait of the Maria Teresa de Borbon y Vallabriga, 15th Countess of Chinch??n (1779-1828) cjr
  Portrait of the Maria Teresa de Borbon y Vallabriga, 15th Countess of Chinch??n (1779-1828) cjr

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Francisco de Goya Portrait of Gaspar Melchor de Jovellanos oil on canvas


Portrait of Gaspar Melchor de Jovellanos
Portrait of Gaspar Melchor de Jovellanos
Painting ID::  76031
  1782(1782) Oil on canvas 185 ?? 110 cm (72.8 ?? 43.3 in) cjr
  1782(1782) Oil on canvas 185 ?? 110 cm (72.8 ?? 43.3 in) cjr

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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