All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals Banquet of the Officers of the St George Civic Guard WGA oil on canvas


Banquet of the Officers of the St George Civic Guard WGA
Banquet of the Officers of the St George Civic Guard WGA
Painting ID::  59197
  Banquet of the Officers of the St George Civic Guard WGA
  Banquet of the Officers of the St George Civic Guard WGA

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Frans Hals Catharina Hooft with her Nurse WGA oil on canvas


Catharina Hooft with her Nurse WGA
Catharina Hooft with her Nurse WGA
Painting ID::  59198
  Catharina Hooft with her Nurse WGA
  Catharina Hooft with her Nurse WGA

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Frans Hals Family Portrait in a Landscape WGA oil on canvas


Family Portrait in a Landscape WGA
Family Portrait in a Landscape WGA
Painting ID::  59199
  Family Portrait in a Landscape WGA
  Family Portrait in a Landscape WGA

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Frans Hals Group of Children WGA oil on canvas


Group of Children WGA
Group of Children WGA
Painting ID::  59200
  Group of Children WGA
  Group of Children WGA

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Frans Hals Hals Frans Portrait Of A Man oil on canvas


Hals Frans Portrait Of A Man
Hals Frans Portrait Of A Man
Painting ID::  59201
  Hals Frans Portrait Of A Man
  Hals Frans Portrait Of A Man

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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