All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals Jacobus Zaffius WGA oil on canvas


Jacobus Zaffius WGA
Jacobus Zaffius WGA
Painting ID::  59203
  Jacobus Zaffius WGA
  Jacobus Zaffius WGA

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  INS/CM       Quality

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Frans Hals Jonker Ramp and his Sweetheart WGA oil on canvas


Jonker Ramp and his Sweetheart WGA
Jonker Ramp and his Sweetheart WGA
Painting ID::  59204
  Jonker Ramp and his Sweetheart WGA
  Jonker Ramp and his Sweetheart WGA

Height    Width


  INS/CM       Quality

X

  

Frans Hals Married Couple in a Garden WGA oil on canvas


Married Couple in a Garden WGA
Married Couple in a Garden WGA
Painting ID::  59205
  Married Couple in a Garden WGA
  Married Couple in a Garden WGA

Height    Width


  INS/CM       Quality

X

  

Frans Hals Peeckelhaering WGA oil on canvas


Peeckelhaering WGA
Peeckelhaering WGA
Painting ID::  59207
  Peeckelhaering WGA
  Peeckelhaering WGA

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  INS/CM       Quality

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Frans Hals Portrait of a Man Holding a Skull WGA oil on canvas


Portrait of a Man Holding a Skull WGA
Portrait of a Man Holding a Skull WGA
Painting ID::  59209
  Portrait of a Man Holding a Skull WGA
  Portrait of a Man Holding a Skull WGA

Height    Width


  INS/CM       Quality

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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