All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals The Laughing Cavalier oil on canvas


The Laughing Cavalier
The Laughing Cavalier
Painting ID::  40428
  mk156 1624 Oil on canvas 83x67cm
  mk156 1624 Oil on canvas 83x67cm

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Frans Hals Banquet of the Officers of the Civic Guard of St Adrian oil on canvas


Banquet of the Officers of the Civic Guard of St Adrian
Banquet of the Officers of the Civic Guard of St Adrian
Painting ID::  40430
  mk156 1627 Oil on canvas 183x266.5cm
  mk156 1627 Oil on canvas 183x266.5cm

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Frans Hals Gypsy Girl oil on canvas


Gypsy Girl
Gypsy Girl
Painting ID::  40434
  mk156 c.1626 Oil on panel 58x52cm
  mk156 c.1626 Oil on panel 58x52cm

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Frans Hals Company of Captain Reinier Reael oil on canvas


Company of Captain Reinier Reael
Company of Captain Reinier Reael
Painting ID::  40450
  mk156 1637 Oil on canvas 209x429
  mk156 1637 Oil on canvas 209x429

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Frans Hals Portrait of a young man holding a glove oil on canvas


Portrait of a young man holding a glove
Portrait of a young man holding a glove
Painting ID::  41031
  mk159 c.1650 Oil on canvas 80x66.5cm
  mk159 c.1650 Oil on canvas 80x66.5cm

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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