All Frederic E.Church Oil Paintings

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
 

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Frederic E.Church Evening in the Tropics oil on canvas


Evening in the Tropics
Evening in the Tropics
Painting ID::  26260
  mk48 1881 Oil on canvas 32 1/2x48 9/16in Wadsworth Atheneum Museum of Art,Hartford,Connecticut,Bequest of Mrs.Clara Hinton Gould
  mk48 1881 Oil on canvas 32 1/2x48 9/16in Wadsworth Atheneum Museum of Art,Hartford,Connecticut,Bequest of Mrs.Clara Hinton Gould

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Frederic E.Church The Mediterranean Sea oil on canvas


The Mediterranean Sea
The Mediterranean Sea
Painting ID::  26261
  mk48 1882 Oil on canvas 14 3/8x22 5/8in Olana State Historic Site,New York State Office of Parks,Recreation and Historic Presevation
  mk48 1882 Oil on canvas 14 3/8x22 5/8in Olana State Historic Site,New York State Office of Parks,Recreation and Historic Presevation

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Frederic E.Church Al Ayn oil on canvas


Al Ayn
Al Ayn
Painting ID::  26262
  mk48 1882 Oil on canvas 23 7/8x36 1/4in Mead Art Museum
  mk48 1882 Oil on canvas 23 7/8x36 1/4in Mead Art Museum

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Frederic E.Church Moonrise over Greece oil on canvas


Moonrise over Greece
Moonrise over Greece
Painting ID::  26263
  mk48 1889 Oil on canvas 14 1/8x20 1/4in Santa Barbara Museum of Art
  mk48 1889 Oil on canvas 14 1/8x20 1/4in Santa Barbara Museum of Art

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Frederic E.Church The Iceberg oil on canvas


The Iceberg
The Iceberg
Painting ID::  26264
  mk48 1891 Oil on canvas 20x30in Carnegie Museum of Art,Pittsburgh,
  mk48 1891 Oil on canvas 20x30in Carnegie Museum of Art,Pittsburgh,

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     Frederic E.Church
     1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.

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