All Frederic Edwin Church Oil Paintings

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
 

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Frederic Edwin Church Home oil on canvas


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Painting ID::  89696
  Oil on canvas 1852 122.555 x 81.28 cm (4' x 32") 1852 cjr
  Oil on canvas 1852 122.555 x 81.28 cm (4' x 32") 1852 cjr

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Frederic Edwin Church July Sunset, Berkshire County, Massachusetts oil on canvas


July Sunset, Berkshire County, Massachusetts
July Sunset, Berkshire County, Massachusetts
Painting ID::  89697
  Oil on canvas 1847 101.6 x 73.66 cm (3' 4" x 29") 1847 cjr
  Oil on canvas 1847 101.6 x 73.66 cm (3' 4" x 29") 1847 cjr

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Frederic Edwin Church Study for oil on canvas


Study for
Study for
Painting ID::  90648
  Oil on paper mounted on canvas 11 3/4 x 17 1/2 in. 1858 cjr
  Oil on paper mounted on canvas 11 3/4 x 17 1/2 in. 1858 cjr

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Frederic Edwin Church Twilight, Mount Ktaadn oil on canvas


Twilight, Mount Ktaadn
Twilight, Mount Ktaadn
Painting ID::  90883
  Oil on paper mounted on board 10 1/2 x 13 5/8 in. 1858-60 cjr
  Oil on paper mounted on board 10 1/2 x 13 5/8 in. 1858-60 cjr

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Frederic Edwin Church Frederic Edwin Church oil on canvas


Frederic Edwin Church
Frederic Edwin Church
Painting ID::  91364
  oil on canvas Woodmere Art Museum (Philadelphia) Date 1857(1857) cyf
  oil on canvas Woodmere Art Museum (Philadelphia) Date 1857(1857) cyf

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     Frederic Edwin Church
     American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

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