All Georges Seurat Oil Paintings

French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
 

       Prev  32  33  34  35  36  37  38  39  40   Next
  Prev Artist       Next Artist     

   
    

Georges Seurat The river Seine at La Grande-Jatte oil on canvas


The river Seine at La Grande-Jatte
The river Seine at La Grande-Jatte
Painting ID::  87000
  Date 1888(1888) Medium Oil on canvas cjr
  Date 1888(1888) Medium Oil on canvas cjr

Height    Width


  INS/CM       Quality

X

  

Georges Seurat Knabe mit Pferd oil on canvas


Knabe mit Pferd
Knabe mit Pferd
Painting ID::  87895
  Date 1883(1883) Medium Oil on wood Dimensions Deutsch: 15,9 x 24,8 cm cjr
  Date 1883(1883) Medium Oil on wood Dimensions Deutsch: 15,9 x 24,8 cm cjr

Height    Width


  INS/CM       Quality

X

  

Georges Seurat Sitzender Mann oil on canvas


Sitzender Mann
Sitzender Mann
Painting ID::  89017
  c. 1883(1883) Medium Oil on wood Dimensions 17 x 26,5 cm cjr
  c. 1883(1883) Medium Oil on wood Dimensions 17 x 26,5 cm cjr

Height    Width


  INS/CM       Quality

X

  

Georges Seurat Grassy Riverbank oil on canvas


Grassy Riverbank
Grassy Riverbank
Painting ID::  89059
  1881-1882 Medium 32 x 41 cm Dimensions Oil on canvas cjr
  1881-1882 Medium 32 x 41 cm Dimensions Oil on canvas cjr

Height    Width


  INS/CM       Quality

X

  

Georges Seurat Der Kanal von Gravelines oil on canvas


Der Kanal von Gravelines
Der Kanal von Gravelines
Painting ID::  90252
  1890(1890) Medium oil on canvas Dimensions 73 x 93 cm cjr
  1890(1890) Medium oil on canvas Dimensions 73 x 93 cm cjr

Height    Width


  INS/CM       Quality

X

  

       Prev  32  33  34  35  36  37  38  39  40   Next
Prev Artist       Next Artist     

     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings