All Georges Seurat Oil Paintings

French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
 

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Georges Seurat Detail from La Parade  showing pointillism oil on canvas


Detail from La Parade showing pointillism
Detail from La Parade showing pointillism
Painting ID::  60764
  Detail from La Parade (1889) showing pointillism
  Detail from La Parade (1889) showing pointillism

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Georges Seurat Sunday Afternoon on the Island of La Grande Jatte, oil on canvas


Sunday Afternoon on the Island of La Grande Jatte,
Sunday Afternoon on the Island of La Grande Jatte,
Painting ID::  60765
  Sunday Afternoon on the Island of La Grande Jatte, 1884-1886, The Art Institute of Chicago.
  Sunday Afternoon on the Island of La Grande Jatte, 1884-1886, The Art Institute of Chicago.

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Georges Seurat Bathers at Asnieres oil on canvas


Bathers at Asnieres
Bathers at Asnieres
Painting ID::  60766
  Bathers at Asnieres, 1884, National Gallery, London
  Bathers at Asnieres, 1884, National Gallery, London

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Georges Seurat The Models, oil on canvas


The Models,
The Models,
Painting ID::  60767
  The Models, 1888, Barnes Foundation, Merion, PA
  The Models, 1888, Barnes Foundation, Merion, PA

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Georges Seurat Gray weather, Grande Jatte, oil on canvas


Gray weather, Grande Jatte,
Gray weather, Grande Jatte,
Painting ID::  60768
  Gray weather, Grande Jatte, 1888, Philadelphia Museum of Art
  Gray weather, Grande Jatte, 1888, Philadelphia Museum of Art

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     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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