All Gerard David Oil Paintings

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
 
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Gerard David The Madonna of the Milk Soup oil on canvas


The Madonna of the Milk Soup
The Madonna of the Milk Soup
Painting ID::  704 		  1520 Musees Royaux des Beaux Arts, Brussels
  1520 Musees Royaux des Beaux Arts, Brussels

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Gerard David The Marriage Feast at Cana oil on canvas


The Marriage Feast at Cana
The Marriage Feast at Cana
Painting ID::  705 		  c1511 Musee du Louvre, Paris
  c1511 Musee du Louvre, Paris

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Gerard David The Rest on the Flight into Egypt oil on canvas


The Rest on the Flight into Egypt
The Rest on the Flight into Egypt
Painting ID::  707 		  Metropolitan Museum of Art, New York
  Metropolitan Museum of Art, New York

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Gerard David The Rest on the Flight to Egypt_1 oil on canvas


The Rest on the Flight to Egypt_1
The Rest on the Flight to Egypt_1
Painting ID::  709 		  1513-23 Museo del Prado, Madrid
  1513-23 Museo del Prado, Madrid

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Gerard David The Rest on the Flight into Egypt_1 oil on canvas


The Rest on the Flight into Egypt_1
The Rest on the Flight into Egypt_1
Painting ID::  710 		  Metropolitan Museum of Art, New York
  Metropolitan Museum of Art, New York

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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