All Gerard David Oil Paintings

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
 

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Gerard David Virgin and Child with the Milk Soup oil on canvas


Virgin and Child with the Milk Soup
Virgin and Child with the Milk Soup
Painting ID::  88824
  1515(1515) Medium Oil on oak cyf
  1515(1515) Medium Oil on oak cyf

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Gerard David Crucifixion oil on canvas


Crucifixion
Crucifixion
Painting ID::  89023
  c. 1515(1515) oil on oak cyf
  c. 1515(1515) oil on oak cyf

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Gerard David Altarpiece of St Michael oil on canvas


Altarpiece of St Michael
Altarpiece of St Michael
Painting ID::  89024
  first half of 16th century Medium oil on wood cyf
  first half of 16th century Medium oil on wood cyf

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Gerard David The Adoration of the Magi oil on canvas


The Adoration of the Magi
The Adoration of the Magi
Painting ID::  89148
  1500(1500) Medium oil on oak cyf
  1500(1500) Medium oil on oak cyf

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Gerard David The Deposition oil on canvas


The Deposition
The Deposition
Painting ID::  89149
  first half of 16th century Medium oil on wood cyf
  first half of 16th century Medium oil on wood cyf

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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