All Gerard David Oil Paintings

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
 
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Gerard David the judgment of cambyses oil on canvas


the judgment of cambyses
the judgment of cambyses
Painting ID::  55983 		  mk247 1498,oil on panel,71.75x125.5 in,182.5x318.5 cm,groeninge museum,bruges,belgium
  mk247 1498,oil on panel,71.75x125.5 in,182.5x318.5 cm,groeninge museum,bruges,belgium

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Gerard David Annunciation from 1506 oil on canvas


Annunciation from 1506
Annunciation from 1506
Painting ID::  58528 		  Annunciation from 1506, Metropolitan Museum of Art, New York
  Annunciation from 1506, Metropolitan Museum of Art, New York

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Gerard David Altarpiece of St Michael oil on canvas


Altarpiece of St Michael
Altarpiece of St Michael
Painting ID::  58530 		  Altarpiece of St Michael
  Altarpiece of St Michael

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Gerard David Deposition oil on canvas


Deposition
Deposition
Painting ID::  58531 		  Deposition
  Deposition

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Gerard David The Judgment of Cambyses oil on canvas


The Judgment of Cambyses
The Judgment of Cambyses
Painting ID::  58532 		  The Judgment of Cambyses
  The Judgment of Cambyses

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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