All Giorgio Vasari Oil Paintings

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
 
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Giorgio Vasari Taking of Pisa oil on canvas


Taking of Pisa
Taking of Pisa
Painting ID::  30506 		  mk68 Fresco, Florence,Palazzo Vecchio, Salone del Cinquecento 1563-1565 Italy
  mk68 Fresco, Florence,Palazzo Vecchio, Salone del Cinquecento 1563-1565 Italy

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Giorgio Vasari Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  30510 		  mk68 Oil on wood 39 1/2"x31 1/2" Florence,Uffizi, 1566-1568 Italy
  mk68 Oil on wood 39 1/2"x31 1/2" Florence,Uffizi, 1566-1568 Italy

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Giorgio Vasari Recreation by our Gallery oil on canvas


Recreation by our Gallery
Recreation by our Gallery
Painting ID::  32563 		  mk79 About 1558
  mk79 About 1558

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Giorgio Vasari Sala di Clement VII oil on canvas


Sala di Clement VII
Sala di Clement VII
Painting ID::  33232 		  mk83 Palazzo Vecchio Florence
  mk83 Palazzo Vecchio Florence

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Giorgio Vasari Portrat of Lorenzo de Medici oil on canvas


Portrat of Lorenzo de Medici
Portrat of Lorenzo de Medici
Painting ID::  38470 		  mk137 1533 oils on linen 90x72cm Galleria deglI Uffizi, Florence
  mk137 1533 oils on linen 90x72cm Galleria deglI Uffizi, Florence

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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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