All Giovanni Battista Tiepolo Oil Paintings

Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
 

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Giovanni Battista Tiepolo Ein junger Fahnentrager oil on canvas


Ein junger Fahnentrager
Ein junger Fahnentrager
Painting ID::  91232
  first half of 18th century Medium oil on canvas Dimensions 87 x 71,5 cm cjr
  first half of 18th century Medium oil on canvas Dimensions 87 x 71,5 cm cjr

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Giovanni Battista Tiepolo Neptun bietet der Stadt Venedig Opfergaben oil on canvas


Neptun bietet der Stadt Venedig Opfergaben
Neptun bietet der Stadt Venedig Opfergaben
Painting ID::  91632
  1748-1750 Medium oil on canvas Dimensions Deutsch: 135 X 275 cm cyf
  1748-1750 Medium oil on canvas Dimensions Deutsch: 135 X 275 cm cyf

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Giovanni Battista Tiepolo Treffen von Marc Antonius und Kleopatra oil on canvas


Treffen von Marc Antonius und Kleopatra
Treffen von Marc Antonius und Kleopatra
Painting ID::  92291
  1747-1749 Medium oil on canvas cyf
  1747-1749 Medium oil on canvas cyf

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Giovanni Battista Tiepolo Hannibal betrachtet den Kopf des Hasdrubal oil on canvas


Hannibal betrachtet den Kopf des Hasdrubal
Hannibal betrachtet den Kopf des Hasdrubal
Painting ID::  92292
  oil on canvas Dimensions Deutsch: 383 X 182 cm cyf
  oil on canvas Dimensions Deutsch: 383 X 182 cm cyf

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Giovanni Battista Tiepolo Abraham und die Engel, Pendant zu  Hagar und Ismael oil on canvas


Abraham und die Engel, Pendant zu Hagar und Ismael
Abraham und die Engel, Pendant zu Hagar und Ismael
Painting ID::  92373
  Date Deutsch: um 1732 English: c. 1732 Medium oil on canvas Dimensions Deutsch: 140 X 120 cm
  Date Deutsch: um 1732 English: c. 1732 Medium oil on canvas Dimensions Deutsch: 140 X 120 cm

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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