All Giuseppe De Nittis Oil Paintings

Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,
 
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Giuseppe De Nittis The Place des Pyramides oil on canvas


The Place des Pyramides
The Place des Pyramides
Painting ID::  11485 		  1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883
  1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883

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Giuseppe De Nittis Field of Snow n.d (nn02) oil on canvas


Field of Snow n.d (nn02)
Field of Snow n.d (nn02)
Painting ID::  23110 		  Oil on canvas 21 5/8x15"
  Oil on canvas 21 5/8x15"

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Giuseppe De Nittis In the Fields Around London (nn02) oil on canvas


In the Fields Around London (nn02)
In the Fields Around London (nn02)
Painting ID::  23109 		  Oil on canvas 17 3/4x21 5/8"
  Oil on canvas 17 3/4x21 5/8"

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Giuseppe De Nittis Lake of thte Four Cantons (nn02) oil on canvas


Lake of thte Four Cantons (nn02)
Lake of thte Four Cantons (nn02)
Painting ID::  23111 		  1875 Oil on canvas 23 5/8x35 1/2"
  1875 Oil on canvas 23 5/8x35 1/2"

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Giuseppe De Nittis Westminster (nn02) oil on canvas


Westminster (nn02)
Westminster (nn02)
Painting ID::  23112 		  c.1875 Oil on canvas 45 1/4x77 1/2"
  c.1875 Oil on canvas 45 1/4x77 1/2"

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     Giuseppe De Nittis
     Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,

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