All Gustav Klimt Oil Paintings

Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
 

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Gustav Klimt Portrait of Marie Henneberg (mk20) oil on canvas


Portrait of Marie Henneberg (mk20)
Portrait of Marie Henneberg (mk20)
Painting ID::  22462
  1901/1902 Bildnis Marie Henneberg Oil on canvas,140 x 140 cm Moritzburg State Gallery,Halle (East Germany)
  1901/1902 Bildnis Marie Henneberg Oil on canvas,140 x 140 cm Moritzburg State Gallery,Halle (East Germany)

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Gustav Klimt Hope II (mk20) oil on canvas


Hope II (mk20)
Hope II (mk20)
Painting ID::  22467
  1907/08 Die Hoffnung II Oil and gold on canvas,110 x 110 cm Collection,The Museum of Modern Art,New York.Mr and Mrs.Ronald S.Lauder and Helen Acheson Funds,and Serge Sabarsky
  1907/08 Die Hoffnung II Oil and gold on canvas,110 x 110 cm Collection,The Museum of Modern Art,New York.Mr and Mrs.Ronald S.Lauder and Helen Acheson Funds,and Serge Sabarsky

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Gustav Klimt Gold Fish (mk20) oil on canvas


Gold Fish (mk20)
Gold Fish (mk20)
Painting ID::  22468
  1901/02 Goldfische Oil on canvas,150 x 46 cm Dubi-Muller Foundation,Kunstmuseum,Solothurn
  1901/02 Goldfische Oil on canvas,150 x 46 cm Dubi-Muller Foundation,Kunstmuseum,Solothurn

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Gustav Klimt Apple Tree II (mk20) oil on canvas


Apple Tree II (mk20)
Apple Tree II (mk20)
Painting ID::  22469
  around 1916 Apfelbaum II Oil on canvas,80 x 80 cm Austrian Gallery,Vienna
  around 1916 Apfelbaum II Oil on canvas,80 x 80 cm Austrian Gallery,Vienna

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Gustav Klimt Landscape Garden (Meadow in Flower) (mk20) oil on canvas


Landscape Garden (Meadow in Flower) (mk20)
Landscape Garden (Meadow in Flower) (mk20)
Painting ID::  22470
  around 1906 Gartenlandschaft (Bluhende Wiese) Oil on canvas, 110 x 110 cm Private collection,New York
  around 1906 Gartenlandschaft (Bluhende Wiese) Oil on canvas, 110 x 110 cm Private collection,New York

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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