All Gustav Klimt Oil Paintings

Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
 

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Gustav Klimt Portrait of Hermine Gallia oil on canvas


Portrait of Hermine Gallia
Portrait of Hermine Gallia
Painting ID::  80259
  1904(1904) Oil on canvas 170.5 x 96.5 cm cjr
  1904(1904) Oil on canvas 170.5 x 96.5 cm cjr

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Gustav Klimt Mada Primavesi oil on canvas


Mada Primavesi
Mada Primavesi
Painting ID::  83983
  1912(1912) Medium Oil on canvas Dimensions 149.9 x 110.5 cm (59 x 43.5 in) cyf
  1912(1912) Medium Oil on canvas Dimensions 149.9 x 110.5 cm (59 x 43.5 in) cyf

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Gustav Klimt Portrait of Hermine Gallia oil on canvas


Portrait of Hermine Gallia
Portrait of Hermine Gallia
Painting ID::  84495
  1904(1904) Medium Oil on canvas Dimensions 170.5 x 96.5 cm cyf
  1904(1904) Medium Oil on canvas Dimensions 170.5 x 96.5 cm cyf

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Gustav Klimt Weiblicher Akt mit Tieren in einer Landschaft oil on canvas


Weiblicher Akt mit Tieren in einer Landschaft
Weiblicher Akt mit Tieren in einer Landschaft
Painting ID::  90281
  1883(1883) Medium oil on canvas Dimensions 84.5 x 117 cm (33.3 x 46.1 in) cyf
  1883(1883) Medium oil on canvas Dimensions 84.5 x 117 cm (33.3 x 46.1 in) cyf

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Gustav Klimt Portrat des Schauspielers Josef Lewinsky als Carlos oil on canvas


Portrat des Schauspielers Josef Lewinsky als Carlos
Portrat des Schauspielers Josef Lewinsky als Carlos
Painting ID::  90297
  1895(1895) Medium oil on canvas Dimensions 64 x 44 cm cjr
  1895(1895) Medium oil on canvas Dimensions 64 x 44 cm cjr

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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