All Hans Memling Oil Paintings

Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.
 

       Prev  7  8  9  10  11  12  13  14  15  16   Next
  Prev Artist       Next Artist     

   
    

Hans Memling Last Judgment Triptych oil on canvas


Last Judgment Triptych
Last Judgment Triptych
Painting ID::  40231
  mk156 1467-1471 Oil on oak panel 222x160cm
  mk156 1467-1471 Oil on oak panel 222x160cm

Height    Width


  INS/CM       Quality

X

  

Hans Memling Madonna Enthroned with Child and Two Angels oil on canvas


Madonna Enthroned with Child and Two Angels
Madonna Enthroned with Child and Two Angels
Painting ID::  40243
  mk156 Oil on panel 57x42cm
  mk156 Oil on panel 57x42cm

Height    Width


  INS/CM       Quality

X

  

Hans Memling Portrait of a Man at Prayer before a Landscape oil on canvas


Portrait of a Man at Prayer before a Landscape
Portrait of a Man at Prayer before a Landscape
Painting ID::  40247
  mk156 c.1480 Oil on panel 30x22cm
  mk156 c.1480 Oil on panel 30x22cm

Height    Width


  INS/CM       Quality

X

  

Hans Memling Portrait of a young man oil on canvas


Portrait of a young man
Portrait of a young man
Painting ID::  41324
  mk161 Oil on panel 15x11
  mk161 Oil on panel 15x11

Height    Width


  INS/CM       Quality

X

  

Hans Memling The Madonna and the Nino with two angeles oil on canvas


The Madonna and the Nino with two angeles
The Madonna and the Nino with two angeles
Painting ID::  41975
  mk166 Final of the fifteenth century I Wave on board of wood 57x42cm Uffizi, Florence
  mk166 Final of the fifteenth century I Wave on board of wood 57x42cm Uffizi, Florence

Height    Width


  INS/CM       Quality

X

  

       Prev  7  8  9  10  11  12  13  14  15  16   Next
Prev Artist       Next Artist     

     Hans Memling
     Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings