All Henri De Toulouse-Lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri De Toulouse-Lautrec La Goulue arriving at the Moulin Rouge oil on canvas


La Goulue arriving at the Moulin Rouge
La Goulue arriving at the Moulin Rouge
Painting ID::  61164 		  La Goulue arriving at the Moulin Rouge (1892).
  La Goulue arriving at the Moulin Rouge (1892).

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Henri De Toulouse-Lautrec Portrait of Gabrielle oil on canvas


Portrait of Gabrielle
Portrait of Gabrielle
Painting ID::  61165 		  Portrait of Gabrielle
  Portrait of Gabrielle

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Henri De Toulouse-Lautrec At the Moulin Rouge, Two Women Waltzing oil on canvas


At the Moulin Rouge, Two Women Waltzing
At the Moulin Rouge, Two Women Waltzing
Painting ID::  61166 		  At the Moulin Rouge: Two Women Waltzing
  At the Moulin Rouge: Two Women Waltzing

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Henri De Toulouse-Lautrec At the Circus Fernando oil on canvas


At the Circus Fernando
At the Circus Fernando
Painting ID::  61167 		  At the Circus Fernando
  At the Circus Fernando

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Henri De Toulouse-Lautrec The clown Cha U Kao at the Moulin Rouge oil on canvas


The clown Cha U Kao at the Moulin Rouge
The clown Cha U Kao at the Moulin Rouge
Painting ID::  61168 		  The clown Cha-U-Kao at the Moulin Rouge (1895)
  The clown Cha-U-Kao at the Moulin Rouge (1895)

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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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