All Henri De Toulouse-Lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri De Toulouse-Lautrec Justine Dieuhl oil on canvas


Justine Dieuhl
Justine Dieuhl
Painting ID::  11606 		  ca 1891 2' 5 1/4'' x 1' 10 3/4''(74 x 58 cm)
  ca 1891 2' 5 1/4'' x 1' 10 3/4''(74 x 58 cm)

Height    Width


  INS/CM       Quality

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Henri De Toulouse-Lautrec The Lady Clown Chau-U-Kao oil on canvas


The Lady Clown Chau-U-Kao
The Lady Clown Chau-U-Kao
Painting ID::  11607 		  1895 2' 1 1/4'' x 1' 7 1/4''(64 x 49 cm)Bequest of Count Isaac de Camondo,1911
  1895 2' 1 1/4'' x 1' 7 1/4''(64 x 49 cm)Bequest of Count Isaac de Camondo,1911

Height    Width


  INS/CM       Quality

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Henri De Toulouse-Lautrec The bed oil on canvas


The bed
The bed
Painting ID::  11608 		  1892 1' 9 1/4'' x 2' 3 3/4''(54 x 70.5 cm)Bequest of Antonin Personnaz,1937
  1892 1' 9 1/4'' x 2' 3 3/4''(54 x 70.5 cm)Bequest of Antonin Personnaz,1937

Height    Width


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Henri De Toulouse-Lautrec Dancing at he Moulin Rouge oil on canvas


Dancing at he Moulin Rouge
Dancing at he Moulin Rouge
Painting ID::  11609 		  1895 9' 9 1/4'' x 10' 4 1/2''(298 x 316 cm)
  1895 9' 9 1/4'' x 10' 4 1/2''(298 x 316 cm)

Height    Width


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Henri De Toulouse-Lautrec The Moorish Dance oil on canvas


The Moorish Dance
The Moorish Dance
Painting ID::  11610 		  1895 9' 4 1/4'' x 10' 1''(285 x 307.5 cm)
  1895 9' 4 1/4'' x 10' 1''(285 x 307.5 cm)

Height    Width


  INS/CM       Quality

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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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