All Henri De Toulouse-Lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri De Toulouse-Lautrec Jane Avril at the Jardin de Paris oil on canvas


Jane Avril at the Jardin de Paris
Jane Avril at the Jardin de Paris
Painting ID::  54194 		  mk235 1893 Oil on canvas 124.5x89.5cm
  mk235 1893 Oil on canvas 124.5x89.5cm

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Henri De Toulouse-Lautrec Aristide Bruant at His Caharet oil on canvas


Aristide Bruant at His Caharet
Aristide Bruant at His Caharet
Painting ID::  54195 		  mk235 1892 Oil on canvas 137x96.5cm
  mk235 1892 Oil on canvas 137x96.5cm

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Henri De Toulouse-Lautrec Women in a Brothel oil on canvas


Women in a Brothel
Women in a Brothel
Painting ID::  54216 		  mk235 c.1893/1894 Oil on card 60.3x80.5cm
  mk235 c.1893/1894 Oil on card 60.3x80.5cm

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Henri De Toulouse-Lautrec The Sofa oil on canvas


The Sofa
The Sofa
Painting ID::  54217 		  mk235 1895 Oil on canvas
  mk235 1895 Oil on canvas

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Henri De Toulouse-Lautrec at the cirque fernando the ringmaster oil on canvas


at the cirque fernando the ringmaster
at the cirque fernando the ringmaster
Painting ID::  56323 		  mk247 1887 to 88,oil on canvas,40x63 in,103x161 cm,joseph winterbottom collection,chicago,il,usa
  mk247 1887 to 88,oil on canvas,40x63 in,103x161 cm,joseph winterbottom collection,chicago,il,usa

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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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