All Henri Fantin-Latour Oil Paintings

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
 

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Henri Fantin-Latour studio at batignolles oil on canvas


studio at batignolles
studio at batignolles
Painting ID::  56266
  mk247 1870,oil on canvsa,80x108 in,203x274.5 cm,musee d orsay,paris,france
  mk247 1870,oil on canvsa,80x108 in,203x274.5 cm,musee d orsay,paris,france

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Henri Fantin-Latour roses in a dish oil on canvas


roses in a dish
roses in a dish
Painting ID::  56299
  mk247 1882,oil on canvas,14.375x12.125 in,36.5x46 cm,musee d orsay,paris,france
  mk247 1882,oil on canvas,14.375x12.125 in,36.5x46 cm,musee d orsay,paris,france

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Henri Fantin-Latour shepherd of the week oil on canvas


shepherd of the week
shepherd of the week
Painting ID::  56884
  mk250 year in 1645-1650. Oil painting on cloth, about 107 x 137 cm. The Louvre in Paris.
  mk250 year in 1645-1650. Oil painting on cloth, about 107 x 137 cm. The Louvre in Paris.

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Henri Fantin-Latour Charlotte Dubourg oil on canvas


Charlotte Dubourg
Charlotte Dubourg
Painting ID::  58782
  Charlotte Dubourg, 1882. (Subject is the artist's sister-in-law.)
  Charlotte Dubourg, 1882. (Subject is the artist's sister-in-law.)

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Henri Fantin-Latour Edouard Manet, oil on canvas


Edouard Manet,
Edouard Manet,
Painting ID::  58783
  Edouard Manet, 1867.
  Edouard Manet, 1867.

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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