All Henri de toulouse-lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 

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Henri de toulouse-lautrec In Bed, oil on canvas


In Bed,
In Bed,
Painting ID::  61174
  In Bed, 1893
  In Bed, 1893

Height    Width


  INS/CM       Quality

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Henri de toulouse-lautrec Alone oil on canvas


Alone
Alone
Painting ID::  61175
  Alone
  Alone

Height    Width


  INS/CM       Quality

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Henri de toulouse-lautrec Bed oil on canvas


Bed
Bed
Painting ID::  71573
  Date 1893(1893) Medium Oil on cardboard Dimensions 54 x 70.5 cm (21.26 x 27.76 in)
  Date 1893(1893) Medium Oil on cardboard Dimensions 54 x 70.5 cm (21.26 x 27.76 in)

Height    Width


  INS/CM       Quality

X

  

Henri de toulouse-lautrec Two Women in Nightgowns oil on canvas


Two Women in Nightgowns
Two Women in Nightgowns
Painting ID::  82208
  Date 1891(1891) Medium Oil, essence and pastel on cardboard Dimensions 62 x 46 cm (24.4 x 18.1 in) cjr
  Date 1891(1891) Medium Oil, essence and pastel on cardboard Dimensions 62 x 46 cm (24.4 x 18.1 in) cjr

Height    Width


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X

  

Henri de toulouse-lautrec Red Haired Woman Sitting in Conservatory oil on canvas


Red Haired Woman Sitting in Conservatory
Red Haired Woman Sitting in Conservatory
Painting ID::  82370
  oil, in private collection Date 1889 cyf
  oil, in private collection Date 1889 cyf

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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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