All Ilya Repin Oil Paintings

Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.
 

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Ilya Repin Protodeacon oil on canvas


Protodeacon
Protodeacon
Painting ID::  60541
  Protodeacon, 1877 (Tretyakov Gallery)
  Protodeacon, 1877 (Tretyakov Gallery)

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Ilya Repin Portrait of Professor Ivanov 1882 oil on canvas


Portrait of Professor Ivanov 1882
Portrait of Professor Ivanov 1882
Painting ID::  60542
  Portrait of Professor Ivanov 1882
  Portrait of Professor Ivanov 1882

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Ilya Repin Oil on canvas painting by Ilya Repin, oil on canvas


Oil on canvas painting by Ilya Repin,
Oil on canvas painting by Ilya Repin,
Painting ID::  78228
  Oil on canvas painting by Ilya Repin, title: Unexpected Visitors or Unexpected return. Shows the unexpected homecoming of a Russian revolutionary from a forced settlement in Siberia. cjr
  Oil on canvas painting by Ilya Repin, title: Unexpected Visitors or Unexpected return. Shows the unexpected homecoming of a Russian revolutionary from a forced settlement in Siberia. cjr

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Ilya Repin Unexpected Visitors or Unexpected return oil on canvas


Unexpected Visitors or Unexpected return
Unexpected Visitors or Unexpected return
Painting ID::  81501
  Oil on canvas painting by Ilya Repin Date 1884-1888 cyf
  Oil on canvas painting by Ilya Repin Date 1884-1888 cyf

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Ilya Repin Portrait of painter Akseli Gallen-Kallela oil on canvas


Portrait of painter Akseli Gallen-Kallela
Portrait of painter Akseli Gallen-Kallela
Painting ID::  90721
  1920(1920) Medium oil on canvas Dimensions 100 x 81 cm (39.4 x 31.9 in) cyf
  1920(1920) Medium oil on canvas Dimensions 100 x 81 cm (39.4 x 31.9 in) cyf

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     Ilya Repin
     Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.

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