All Ilya Repin Oil Paintings

Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.
 

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Ilya Repin Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan oil on canvas


Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan
Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan
Painting ID::  90965
  1883(1883) Medium oil on canvas Dimensions Height: 55.5 cm (21.9 in). Width: 44.4 cm (17.5 in). cjr
  1883(1883) Medium oil on canvas Dimensions Height: 55.5 cm (21.9 in). Width: 44.4 cm (17.5 in). cjr

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Ilya Repin bceeonoo muxaunoen oil on canvas


bceeonoo muxaunoen
bceeonoo muxaunoen
Painting ID::  91323
  1884(1884) Medium oil on canvas Dimensions 88.9 x 69.2 cm (35 x 27.2 in) cyf
  1884(1884) Medium oil on canvas Dimensions 88.9 x 69.2 cm (35 x 27.2 in) cyf

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Ilya Repin Street of the Snakes in Seville oil on canvas


Street of the Snakes in Seville
Street of the Snakes in Seville
Painting ID::  91449
  Oil on panel. 23.4 x 13.6. Private collection. 1883 cjr
  Oil on panel. 23.4 x 13.6. Private collection. 1883 cjr

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Ilya Repin Portrait of professor Ivanov oil on canvas


Portrait of professor Ivanov
Portrait of professor Ivanov
Painting ID::  91720
  1882(1882) Medium oil on canvas Dimensions 58.5 X 48.5 cm (23 X 19.1 in) cyf
  1882(1882) Medium oil on canvas Dimensions 58.5 X 48.5 cm (23 X 19.1 in) cyf

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Ilya Repin Self portrait with Nordman oil on canvas


Self portrait with Nordman
Self portrait with Nordman
Painting ID::  91771
  1903(1903) Medium oil on canvas Dimensions 78.5 X 130 cm (30.9 X 51.2 in) cyf
  1903(1903) Medium oil on canvas Dimensions 78.5 X 130 cm (30.9 X 51.2 in) cyf

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     Ilya Repin
     Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.

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