All James Ensor Oil Paintings

Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
 

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James Ensor Demons Trashing Angels and Archangels oil on canvas


Demons Trashing Angels and Archangels
Demons Trashing Angels and Archangels
Painting ID::  37477
  mk126 1888
  mk126 1888

Height    Width


  INS/CM       Quality

X

  

James Ensor The Skaters oil on canvas


The Skaters
The Skaters
Painting ID::  37478
  mk126 1889
  mk126 1889

Height    Width


  INS/CM       Quality

X

  

James Ensor The Cathedral oil on canvas


The Cathedral
The Cathedral
Painting ID::  37479
  mk126 1886/1933
  mk126 1886/1933

Height    Width


  INS/CM       Quality

X

  

James Ensor The Cathedral oil on canvas


The Cathedral
The Cathedral
Painting ID::  37480
  mk126 1886
  mk126 1886

Height    Width


  INS/CM       Quality

X

  

James Ensor The Cathedral oil on canvas


The Cathedral
The Cathedral
Painting ID::  37481
  mk126 1896
  mk126 1896

Height    Width


  INS/CM       Quality

X

  

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     James Ensor
     Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

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