All Jean Auguste Dominique Ingres Oil Paintings

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
 

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Jean Auguste Dominique Ingres La Baigneuse de Valpincon oil on canvas


La Baigneuse de Valpincon
La Baigneuse de Valpincon
Painting ID::  27801
  mk62 1808 Huile sur toile 146x98cm Paris,musee du Louvre
  mk62 1808 Huile sur toile 146x98cm Paris,musee du Louvre

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Jean Auguste Dominique Ingres The Apotheosis of Homer oil on canvas


The Apotheosis of Homer
The Apotheosis of Homer
Painting ID::  39486
  mk149 1827
  mk149 1827

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Jean Auguste Dominique Ingres Odalisque with a Slave oil on canvas


Odalisque with a Slave
Odalisque with a Slave
Painting ID::  40032
  mk155 1842 75x105.4cm
  mk155 1842 75x105.4cm

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Jean Auguste Dominique Ingres Little Bather or Inside a Harem oil on canvas


Little Bather or Inside a Harem
Little Bather or Inside a Harem
Painting ID::  40033
  mk155 1828 Oil on canvas 35x27cm
  mk155 1828 Oil on canvas 35x27cm

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Jean Auguste Dominique Ingres Grande Odalisque oil on canvas


Grande Odalisque
Grande Odalisque
Painting ID::  40034
  mk155 1814 Oil on canvas 91x162cm
  mk155 1814 Oil on canvas 91x162cm

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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