All Jean Beraud Oil Paintings

1848-1935 French Jean Beraud Galleries Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870. Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894. Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes. Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale. Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother.
 

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Jean Beraud A Windy Day on the Pont des Arts oil on canvas


A Windy Day on the Pont des Arts
A Windy Day on the Pont des Arts
Painting ID::  83456
  Date ca. between 1880(1880) and 1881(1881) Medium Oil on canvas Dimensions 39.7 x 56.5 cm (15.6 x 22.2 in) cjr
  Date ca. between 1880(1880) and 1881(1881) Medium Oil on canvas Dimensions 39.7 x 56.5 cm (15.6 x 22.2 in) cjr

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Jean Beraud Home, Driver oil on canvas


Home, Driver
Home, Driver
Painting ID::  83468
  Medium Oil on canvas Dimensions 40.3 x 31.8 cm (15.9 x 12.5 in) cjr
  Medium Oil on canvas Dimensions 40.3 x 31.8 cm (15.9 x 12.5 in) cjr

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Jean Beraud Boulevard des capucines oil on canvas


Boulevard des capucines
Boulevard des capucines
Painting ID::  85503
  Medium Oil on canvas Dimensions 50.8 x 73 cm (20 x 28.7 in) cjr
  Medium Oil on canvas Dimensions 50.8 x 73 cm (20 x 28.7 in) cjr

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Jean Beraud Personnages oil on canvas


Personnages
Personnages
Painting ID::  86013
  Medium Oil on board Dimensions 59.7 x 73 cm (23.5 x 28.7 in) cjr
  Medium Oil on board Dimensions 59.7 x 73 cm (23.5 x 28.7 in) cjr

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Jean Beraud La Lettre oil on canvas


La Lettre
La Lettre
Painting ID::  86329
  1908(1908) Medium Oil on canvas Dimensions 45.7 x 37.2 cm (18 x 14.6 in) cyf
  1908(1908) Medium Oil on canvas Dimensions 45.7 x 37.2 cm (18 x 14.6 in) cyf

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     Jean Beraud
     1848-1935 French Jean Beraud Galleries Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870. Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894. Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes. Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale. Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother.

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