All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Portraiy of Biertan oil on canvas


Portraiy of Biertan
Portraiy of Biertan
Painting ID::  53294
  mk227 oil on canvas 116x95cm
  mk227 oil on canvas 116x95cm

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Jean-Auguste Dominique Ingres Lady of Fulike oil on canvas


Lady of Fulike
Lady of Fulike
Painting ID::  53295
  mk227 60x47cm 1846
  mk227 60x47cm 1846

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Jean-Auguste Dominique Ingres Portrait of old man oil on canvas


Portrait of old man
Portrait of old man
Painting ID::  53296
  mk227 oil on canvas 105.1x94cm
  mk227 oil on canvas 105.1x94cm

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Jean-Auguste Dominique Ingres Portrait of Yucifu oil on canvas


Portrait of Yucifu
Portrait of Yucifu
Painting ID::  53297
  mk227 oil on canvas 56x46cm 1825
  mk227 oil on canvas 56x46cm 1825

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Jean-Auguste Dominique Ingres Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  53298
  mk227 oil on canvas 78.1x61cm 1804
  mk227 oil on canvas 78.1x61cm 1804

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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