All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Portrait of henli oil on canvas


Portrait of henli
Portrait of henli
Painting ID::  53225
  mk227 Oil on canvas 218x131cm
  mk227 Oil on canvas 218x131cm

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Jean-Auguste Dominique Ingres Portrait of Yake oil on canvas


Portrait of Yake
Portrait of Yake
Painting ID::  53226
  mk227 121x95cm 1832
  mk227 121x95cm 1832

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Jean-Auguste Dominique Ingres Portrait of Lady oil on canvas


Portrait of Lady
Portrait of Lady
Painting ID::  53276
  mk227 146.7x100.3cm 1851
  mk227 146.7x100.3cm 1851

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Jean-Auguste Dominique Ingres Portrait of Felibi oil on canvas


Portrait of Felibi
Portrait of Felibi
Painting ID::  53277
  mk227 oil on canvas 115x90cm 1804-1805
  mk227 oil on canvas 115x90cm 1804-1805

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Jean-Auguste Dominique Ingres Miss Kalolin oil on canvas


Miss Kalolin
Miss Kalolin
Painting ID::  53278
  mk227 oil on canvas 99.5x64.5cm 1806
  mk227 oil on canvas 99.5x64.5cm 1806

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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