All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres The Turkish bath oil on canvas


The Turkish bath
The Turkish bath
Painting ID::  49497
  mk198 1863 108cm in diameter Louvren,Paris
  mk198 1863 108cm in diameter Louvren,Paris

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Jean-Auguste Dominique Ingres Victoria oil on canvas


Victoria
Victoria
Painting ID::  51669
  nn09 detail of the Apotheosis of Homer 1827 Oil on canvas
  nn09 detail of the Apotheosis of Homer 1827 Oil on canvas

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Jean-Auguste Dominique Ingres Countess oil on canvas


Countess
Countess
Painting ID::  53159
  mk227 oil on canvas 92x73cm 1812
  mk227 oil on canvas 92x73cm 1812

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Jean-Auguste Dominique Ingres Countess oil on canvas


Countess
Countess
Painting ID::  53160
  mk227 120x92cm 1856
  mk227 120x92cm 1856

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Jean-Auguste Dominique Ingres Portrait of countess oil on canvas


Portrait of countess
Portrait of countess
Painting ID::  53161
  mk227 146.7x100.3cm 1851
  mk227 146.7x100.3cm 1851

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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