All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Portrait of Liwi oil on canvas


Portrait of Liwi
Portrait of Liwi
Painting ID::  53162
  mk227 115x90cm 1804-1805
  mk227 115x90cm 1804-1805

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Jean-Auguste Dominique Ingres Mis liwi oil on canvas


Mis liwi
Mis liwi
Painting ID::  53164
  mk227 oil on canvas 99.5x64.5cm 1806
  mk227 oil on canvas 99.5x64.5cm 1806

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Jean-Auguste Dominique Ingres Ms Markte oil on canvas


Ms Markte
Ms Markte
Painting ID::  53165
  mk227 93x74cm 1826
  mk227 93x74cm 1826

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Jean-Auguste Dominique Ingres Maeki oil on canvas


Maeki
Maeki
Painting ID::  53166
  mk227 Oil on canvas 1811
  mk227 Oil on canvas 1811

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Jean-Auguste Dominique Ingres Yusifu oil on canvas


Yusifu
Yusifu
Painting ID::  53167
  mk227 75.2x58.1cm 1810
  mk227 75.2x58.1cm 1810

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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