All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Zaerxi oil on canvas


Zaerxi
Zaerxi
Painting ID::  53168
  mk227 93.7x69.4cm 1810 Oil on canvas
  mk227 93.7x69.4cm 1810 Oil on canvas

Height    Width


  INS/CM       Quality

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Jean-Auguste Dominique Ingres Portrait of Fulong oil on canvas


Portrait of Fulong
Portrait of Fulong
Painting ID::  53169
  mk227 55x46cm
  mk227 55x46cm

Height    Width


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Jean-Auguste Dominique Ingres Portrait of Per oil on canvas


Portrait of Per
Portrait of Per
Painting ID::  53170
  mk227 64.8x54.5cm
  mk227 64.8x54.5cm

Height    Width


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Jean-Auguste Dominique Ingres Portrait of Lady oil on canvas


Portrait of Lady
Portrait of Lady
Painting ID::  53171
  mk227 116x82cn 1805
  mk227 116x82cn 1805

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Jean-Auguste Dominique Ingres Portrait of Lady oil on canvas


Portrait of Lady
Portrait of Lady
Painting ID::  53172
  mk227 1805
  mk227 1805

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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