All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Love and beautiful goddess oil on canvas


Love and beautiful goddess
Love and beautiful goddess
Painting ID::  53176
  mk227 1808-1848 Oil on canvas
  mk227 1808-1848 Oil on canvas

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Jean-Auguste Dominique Ingres Bather oil on canvas


Bather
Bather
Painting ID::  53174
  mk227 116x82cm 1808 Oil on canvas
  mk227 116x82cm 1808 Oil on canvas

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Jean-Auguste Dominique Ingres Vinasi oil on canvas


Vinasi
Vinasi
Painting ID::  53175
  mk227 oil on canvas 1822
  mk227 oil on canvas 1822

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Jean-Auguste Dominique Ingres lady-in-waiting and bondman oil on canvas


lady-in-waiting and bondman
lady-in-waiting and bondman
Painting ID::  53177
  mk227 1839 Oil on canvas
  mk227 1839 Oil on canvas

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Jean-Auguste Dominique Ingres Man oil on canvas


Man
Man
Painting ID::  53178
  mk227 1800 Oil on canvas
  mk227 1800 Oil on canvas

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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