All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Angel oil on canvas


Angel
Angel
Painting ID::  53179
  mk227 47x39cm 1819 Oil on canvas
  mk227 47x39cm 1819 Oil on canvas

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Jean-Auguste Dominique Ingres Yidipasi and sifenkesi oil on canvas


Yidipasi and sifenkesi
Yidipasi and sifenkesi
Painting ID::  53180
  mk227 1808 Oil on canvas
  mk227 1808 Oil on canvas

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Jean-Auguste Dominique Ingres Study of Christ oil on canvas


Study of Christ
Study of Christ
Painting ID::  53181
  mk227 1830-1931 Oil on canvas
  mk227 1830-1931 Oil on canvas

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Jean-Auguste Dominique Ingres Study of Christ oil on canvas


Study of Christ
Study of Christ
Painting ID::  53182
  mk227 Oil on canvas 1830-1831
  mk227 Oil on canvas 1830-1831

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Jean-Auguste Dominique Ingres Napoleon oil on canvas


Napoleon
Napoleon
Painting ID::  53183
  mk227 oil on canvas 260x163cm 1806
  mk227 oil on canvas 260x163cm 1806

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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