All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Portrait of Pier oil on canvas


Portrait of Pier
Portrait of Pier
Painting ID::  53194
  mk227 1780-1806 Oil on canvas
  mk227 1780-1806 Oil on canvas

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Jean-Auguste Dominique Ingres The first consul oil on canvas


The first consul
The first consul
Painting ID::  53195
  mk227 1780-1806 Oil on canvas
  mk227 1780-1806 Oil on canvas

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Jean-Auguste Dominique Ingres Lafier and Finalina oil on canvas


Lafier and Finalina
Lafier and Finalina
Painting ID::  53196
  mk227 1814 66x56cm Oil on canvas
  mk227 1814 66x56cm Oil on canvas

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Jean-Auguste Dominique Ingres Mrs. Madelin oil on canvas


Mrs. Madelin
Mrs. Madelin
Painting ID::  53197
  mk227 Oil on canvas 68x54cm 1815
  mk227 Oil on canvas 68x54cm 1815

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Jean-Auguste Dominique Ingres Zhenni oil on canvas


Zhenni
Zhenni
Painting ID::  53198
  mk227 76.2x59.1cm 1821 Oil on canvas
  mk227 76.2x59.1cm 1821 Oil on canvas

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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