All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Yusefu oil on canvas


Yusefu
Yusefu
Painting ID::  53279
  mk227 oil on canvas 75.2x58.1cm 1810
  mk227 oil on canvas 75.2x58.1cm 1810

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Jean-Auguste Dominique Ingres Makete oil on canvas


Makete
Makete
Painting ID::  53280
  mk227 oil on canvas 93.7x69.4cm 1810
  mk227 oil on canvas 93.7x69.4cm 1810

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Jean-Auguste Dominique Ingres Portrait of Fulong oil on canvas


Portrait of Fulong
Portrait of Fulong
Painting ID::  53281
  mk227 55x46cm Oil on canvas
  mk227 55x46cm Oil on canvas

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Jean-Auguste Dominique Ingres Portrait of Pier oil on canvas


Portrait of Pier
Portrait of Pier
Painting ID::  53282
  mk227 Oil on canvas 64.8x54.5cm
  mk227 Oil on canvas 64.8x54.5cm

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Jean-Auguste Dominique Ingres Bather oil on canvas


Bather
Bather
Painting ID::  53283
  mk227 Oil on canvas 116x82cm 1808
  mk227 Oil on canvas 116x82cm 1808

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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