All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Angel oil on canvas


Angel
Angel
Painting ID::  53284
  mk227 oil on canvas 47x39cm 1819
  mk227 oil on canvas 47x39cm 1819

Height    Width


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Jean-Auguste Dominique Ingres Yidipasi and Sifenkeci oil on canvas


Yidipasi and Sifenkeci
Yidipasi and Sifenkeci
Painting ID::  53285
  mk227 Oil on canvas 1808
  mk227 Oil on canvas 1808

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Jean-Auguste Dominique Ingres Napoleon oil on canvas


Napoleon
Napoleon
Painting ID::  53286
  mk227 oil on canvas 260x163cm 1806
  mk227 oil on canvas 260x163cm 1806

Height    Width


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Jean-Auguste Dominique Ingres Caersi oil on canvas


Caersi
Caersi
Painting ID::  53287
  mk227 Oil on canvas 90x60cm 1811
  mk227 Oil on canvas 90x60cm 1811

Height    Width


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Jean-Auguste Dominique Ingres Pier oil on canvas


Pier
Pier
Painting ID::  53288
  mk227 99x81cm
  mk227 99x81cm

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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