All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Portrait of a man oil on canvas


Portrait of a man
Portrait of a man
Painting ID::  53289
  mk227 Oil on canvas 75.2x58.1cm 1810
  mk227 Oil on canvas 75.2x58.1cm 1810

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Jean-Auguste Dominique Ingres Portrait of Idemi oil on canvas


Portrait of Idemi
Portrait of Idemi
Painting ID::  53290
  mk227 94x69cm 1811
  mk227 94x69cm 1811

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Jean-Auguste Dominique Ingres Portrait of Bili oil on canvas


Portrait of Bili
Portrait of Bili
Painting ID::  53291
  mk227 Oil on canvas 1780-1806
  mk227 Oil on canvas 1780-1806

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Jean-Auguste Dominique Ingres Lafier and Finali oil on canvas


Lafier and Finali
Lafier and Finali
Painting ID::  53292
  mk227 Oil on canvas 66x56cm 1814
  mk227 Oil on canvas 66x56cm 1814

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Jean-Auguste Dominique Ingres Lady of Hery oil on canvas


Lady of Hery
Lady of Hery
Painting ID::  53293
  mk227 oil on canvas 73x62cm
  mk227 oil on canvas 73x62cm

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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