All Jean-Baptiste Camille Corot Oil Paintings

(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
 

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Jean-Baptiste Camille Corot Chateau de Rosny oil on canvas


Chateau de Rosny
Chateau de Rosny
Painting ID::  91934
  1840(1840) Medium oil on canvas Dimensions Deutsch: 24 X 35 cm cyf
  1840(1840) Medium oil on canvas Dimensions Deutsch: 24 X 35 cm cyf

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Jean-Baptiste Camille Corot Castelgandolfo oil on canvas


Castelgandolfo
Castelgandolfo
Painting ID::  92300
  1826(1826) Medium oil on canvas Dimensions 36,3 X 28,3 cm cyf
  1826(1826) Medium oil on canvas Dimensions 36,3 X 28,3 cm cyf

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Jean-Baptiste Camille Corot Le concert champetre oil on canvas


Le concert champetre
Le concert champetre
Painting ID::  92514
  1857(1857) Medium Oil on canvas Dimensions 0,98 x 1,30 cjr
  1857(1857) Medium Oil on canvas Dimensions 0,98 x 1,30 cjr

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Jean-Baptiste Camille Corot Lesendes Madchen in rotem Trikot oil on canvas


Lesendes Madchen in rotem Trikot
Lesendes Madchen in rotem Trikot
Painting ID::  92678
  Date 1845-1850 Medium oil on canvas ttd
  Date 1845-1850 Medium oil on canvas ttd

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Jean-Baptiste Camille Corot Modification of Orphee ramenant Eurydice des enfers oil on canvas


Modification of Orphee ramenant Eurydice des enfers
Modification of Orphee ramenant Eurydice des enfers
Painting ID::  93058
  1861(1861) Medium oil on canvas cjr
  1861(1861) Medium oil on canvas cjr

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     Jean-Baptiste Camille Corot
     (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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